Real estate in america Essay Example | Topics and Well Written Essays - 500 words

Real estate in america - Essay Example No doubt, this study give quantitative proof of the degree to which public real estate management put into practice at the present lags at the back the private sector, an knowledge gap that may point to suboptimal management of openly owned real estate in general, and puts the public division at a difficulty when dealing by means of developers in combined projects. No doubt, this gap means that in general management of public property frequently falls short of consequences in meeting rule objectives. No doubt, planners could play a better role in public real estate management, but cannot efficiently manage properties themselves or connect in winning joint growth with no more official training in real estate finance. The methodology here is a direct topic-by-topic comparison of property management activity in the private sector with that in the public sector. The evidence for the private sector comes from five recently published surveys of real estate management practices among non-real-estate firms in the United States. This literature on corporate real estate management surveys organization of the real estate management function, performance evaluation, record and information management, rules for choice on property gaining and nature, role and efficiency of the real estate decision-making, and real estate activities.

The Awakening Essay Example for Free

The Awakening Essay Kate Chopin wrote for a reason and with a sense of passion and desire. She lived the way she wanted to and wrote what she felt, thought, and wanted to say. Kate wrote for many years and her popularity was extreme until critical disapproval of her novel, The Awakening, a story that portrayed women’s desires of independence and control of their own sexuality. Most men condemned this story, while women applauded her for it. Kate wrote with a sense of realism and naturalism and she created a voice that is unique and unmatched. The voice gave a view of the female role in society and contributed to the beginning of the later feminist movements. In 1915, Fred Lewis Pattee wrote, some of Chopins work is equal to the best that has been produced in France or even in America. She displayed what may be described as a native aptitude for narration amounting almost to genius (qtd. in Amazon. com â€Å"About the Author†). Kate Chopin was a 19th century American author who cared about women and their rights. She was a bold writer who had a huge impact on how the world should treat women. On February 8, 1851, Katherine O’Flaherty was born in St. Louis, Missouri. Kate was born to the parents of Thomas O’Flaherty and Eliza Faris. Her father was a wealthy Irish immigrant and a successful businessman. Sadly, Kate’s father died in a railway accident when she was only four years old. Kate’s childhood was influenced mostly by her mother and great-grandmother. Kate spent much time with her family’s Creole and mulatto slaves, becoming familiar with their dialects. She attended Sacred Heart convent where she was a very poor student, but an avid reader. At the age of eleven Kate’s great-grandmother as well as her half-brother died. These two deaths caused Kate to seclude herself in the family attic to study more books (Authors and Artists par. 5). Kate’s schooling was irregular and she herself attributed her education more to her reading, than to the education she received at the Sacred Heart convent. At the age of seventeen she graduated with a passion for literature and storytelling. She spent two years as a belle in St. Louis society becoming aware of feminist social issues (World Biography par. 2). â€Å"She began to smoke cigarettes and wrote a feminist fable, ‘Emancipation. She read and admired the works of Jane Austen, the Bronte sisters, George Eliot, and George Sand† (qtd, in Bloom 10). Kate preferred to spend time alone reading instead of attending socials all night. Although Kate spent a lot of time reading by herself, it did not stop her from writing what she saw in the world around her. In June 1870, Kate married a cotton trader and Creole named Oscar Chopin. Together they moved to New Orleans. While Oscar worked as a cotton factor and began handling sales, finances, and supplies for other plantation owners, Kate lived her care-free life (Authors and Artists par.7). Kate began to write about what she saw. She adopted two strange habits for women; smoking cigarettes and walking unaccompanied through the city. Kate took on the demanding social and domestic schedule of a Southern aristocrat. These memories would later serve as material for her short stories (World Biography par. 2). In 1880 Kate and her family were forced to moves to her father-in-law’s home in Cloutierville, Louisiana’s Red River bayou region. Here they became active members of the Creole community. Sadly in 1883 Oscar died of swamp fever, forcing Kate to take over. Kate came in contact with every part of the community, including the French-Acadian, Creole, and mulatto croppers who worked the plantation. These impressions later influenced her fiction (World Biography par. 2). After Oscar’s death Kate found herself stuck having to handle five children while $12,000 dollars in debt. Kate managed to run the family business until 1884 when she moved back to St. Louis. When she returned home she began writing about her life in Louisiana and this is when her career began. Kate settled in with her mother and began to write. Within a year Kate’s mother died and Kate was left in a state of depression. Following the deaths of Oscar and Kate’s mother, Kate was consulted by a doctor. He encouraged Kate to write (World Biography par. 3). Many of Kate’s friends also found her letters entertaining and encouraged her to write short stories. She began to write about the Louisiana past. After being rejected many times Kate got her short stories published in the most popular American periodicals, including America, Vogue, and the Atlantic (World Biography par. 3). Kate’s reputation grew because of her early success with Bayou Folk and A Night in Acadie. Her first novel, At Fault, was published in 1890 in her home city. Nine years later Kate’s first poem, â€Å"If it Might Be,† was published. Kate wrote over one hundred short stories during the 1890s (Bloom 10). Kate was very successful, but she became known only as a local color writer and her qualities were overlooked. This did not stop Kate from writing. Kate wrote only one or two days each week and even then she only wrote in her living room while her children played. Kate also had a salon in St. Louis where she hosted St. Louis celebrities (Authors and Artists par. 15). This is where Kate wrote many articles, short stories and periodicals, including Atlantic Monthly, Criterion, Harper’s Young People, St. Louis Dispatch, and Vogue (Feminist Writers par. 1). Kate’s first collection reflects her skills as a local colorist and center on the loves of the Creoles and Acadians in her Parish. Many of Kate’s stories addressed many themes, including women’s emancipation and marital discord (Authors and Artists par 10). â€Å"Considered one of the foremost Southern regionalist writers, Kate Chopin’s fiction details the culture in which she lived during her childhood and marriage† (qtd. in Feminist Writers par. 2). Kate published her final novel, The Awakening, in 1899. The Awakening is known as her masterpiece and is a seminal work in American feminist fiction. Fiction was Kate’s greatest strength (Authors and Artists par 18). In her stories of Bayou Folk, A Night in Acadie, and The Awakening Kate writes about the sexual, racial, and moral background of polite southern Louisiana life (Feminist Writers par 2). The Awakening received many negative reviews because of the way Kate portrayed women and their desires. With the rejection of A Vocation and a Voice and the harsh reviews of The Awakening Kate’s career slowly began to end. Kate slowly began to abandon her career. After the publication of The Awakening Kate was rejected from certain social circles in St. Louis. She was also later rejected to getting other books published and the criticism caused her writing to slow down (Feminist Writers par. 6). In 1904 Kate became very ill; however, she was still interested in the World’s Fair in St. Louis. After a day of exhaustion Kate collapsed with a cerebral hemorrhage. Two days later, on August 22, 1904, Kate sadly passed away (Authors and Artists par. 23). Today Kate is known through her interpretations of the Creoles in her collections Bayou Folk and A Night in Acadie, and her second novel, The Awakening (American Biography par. 2). It took half a century for people to grasp what Kate Chopin had accomplished with her work. Kate was once just considered an author of local-color fiction. Today she is recognized for her examination of sexuality, individual freedom and the consequences of action (Authors and Artists par.10). Kate was familiar with the newest developments in science and literature, and her aim was to describe man’s â€Å"immutable impulses. † Kate wrote with balance and maturity, showing that women should have the same rights as men. Today Kate’s stories have become favored subjects among women critics. Kate’s work also has been recognized by critics in countries ranging from France to Japan (Authors and Artists par. 25). Because of The Awakening Kate abandoned writing because she faced critical abuse. Today this novel has grown to be respected and recognized as a masterpiece. Today, The Awakening has become required reading for any student studying the history of women’s cultural oppression (Feminist Writers par. 2). Many authors today have helped show that Kate was a significant figure in American fiction, particularly feminist literature (Authors and Artists par. 2). Kate Chopin is known as one of the most important women in 19th century American fiction. Kate grew up in a world where women were seen as very little importance. She wrote to change that. Kate wrote with passion and a sense of realism. She proved to the world around her that women were just as equal to men. Conclusively, Kate Chopin is known to be the first feminist writer and a woman ahead of her time. Even though during her time she was looked down upon for the things she wrote, she is celebrated and acclaimed by people around the world today. Kates writings provided her with the means to live how she wanted-both mentally and physically-rather than play the role society expected of her. Kate Chopin proved to women they had a right to express themselves however they wanted to. This is why Kate is known today as one of the most important women in 19th century American fiction.

Cider House Rules Essay -- essays research papers

The movie Cider House Rules involves many different characters that one can focus on, but the main character I want to focus on is Homer Wells, who is also the main character of the film. Now every character goes through many different situations and are faced with different obstacles that they must over come. Dr. Larch has to over come the ability to realize he is human, and how the board wants to replace him. Mr. Rose has to over come non-diligent workers, and conflicts with his daughter and keep a calm, flowing working environment. Candy Kendall has to deal with her husband Wally Worthington being away fighting for the United States in World War II. On the other side Wally has to deal with the loss of ability to use his legs and being paralyzed in a wheel chair. But, none of these are more compelling or can be looked at in so many ways as Homer's. Now from the time Dr. Larch said, "Hence forth you be known as Homer Wells", he seemed to be the type of person to say, "What you see, is what you get". Now I believe this cause from early childhood, to adolescence, to early adulthood there was never anything to flashy about him. He was dressed in plain old school baby pajamas with legs and feet on them. When he was growing up he was wearing plains shirts, and a pair of slacks. This form of appearance remained constant through the rest of the movie in reality. The main colors that Homer wore were grays, blacks, and browns. Showin...

How does Shakespeare demonstrate the power of the mind in Macbeth? Essay

Macbeth is a play famous for murder and its references to blood. It is usually associated with bad luck and evil; however, there is one main issue that appears time and time again throughout the play – what is it that drives the characters to do the things that they do? Shakespeare explores and presents the power of the mind in many interesting ways. These include soliloquies and slight changes in characters such as the way they talk, act or present themselves. The main character affected by the power of his mind is, of course, Macbeth. What happens in his mind basically provides the plot for the whole play. Once the witches have told Macbeth that he will be king he can either choose to ignore this piece of information or do something about it to make it come around faster. Macbeth chooses to do the latter and he kills the current king, Duncan. Lady Macbeth becomes so caught up in the series of events and excited at the prospect of being Queen that she urges Macbeth on, encouraging him to fulfil his apparent destiny and become King. In the end, the way that Macbeth presents himself and talks is completely different to the character we are introduced to at the beginning of the play. This is all due to the effect his mind power has over him. We also see changes in Lady Macbeth’s character such as paranoia and slight changes in the way she talks and thinks. The first evidence we see of mind power is in Act 1, Scene 3 where Macbeth meets the witches. Why do the witches’ prophecies in this scene have such power over Macbeth? Although Macbeth and Banquo hear the same thing, Macbeth is much more moved by the words, and I think the main reason for this is that the witches’ are speaking Macbeth’s innermost, dangerous thoughts. Once the witches say ‘Hail to thee, Thane of Glamis!’ (Macbeth’s current title) it becomes apparent to Macbeth that the witches are knowledgeable and are capable of predicting the future. Shakespeare constructs the plot cleverly here. The dramatic irony of the audience knowing he has been crowned Thane of Cawdor ensures that the audience are already aware of what the witches can do before Macbeth realises. The tragedy is often blamed on the witches because they torment Macbeth by speaking his thoughts in riddles and they make Macbeth think that his greatest prize is near. However, the witches could only have so much power over Macbeth if he already had these thoughts in his head. Therefore, Macbeth himself could be blamed for the tragedy of the play. If he had already thought about killing Banquo, but thought nothing of it until the witches had confirmed the idea, you could blame him entirely for the murder. The witches know what to say and exactly how to say it, which implies that they know what Macbeth is thinking. Another line in this scene which suggests that Macbeth had already thought about becoming King or killing Duncan is when he pleads with the witches to ‘Stay you imperfect speakers. Tell me more.’ The fact that he was willing to listen to more of what the witches had to say suggests that he had thought of becoming King before and was reassured by the idea that it could really happen. Once the witches have vanished, Macbeth and Banquo visit Duncan at a room in his palace. Here, Duncan appoints Macbeth Thane of Cawdor. It is here that Macbeth begins to fully realise the impact the witches’ words are having on him. He also sees that they knew what was going to happen to him because they had said, ‘All hail Macbeth! Hail to thee, Thane of Cawdor’ in the previous scene. In a powerful soliloquy, Macbeth reveals his thoughts to the audience: ‘†¦Stars, hide your fires! Let not light see my black and deep desires;’ With ‘let not light see my black and deep desires’ Macbeth confirms that he has thought of becoming King before, but does not want to show it. When he was speaking with the witches he wasn’t sure whether to believe what they were seeing and although he did think about the idea of becoming King, he never really pursued it. Once the prophecy of Macbeth becoming Thane Of Cawdor comes true, Macbeth realises that he will be king. In Act 1, scene 7 Macbeth is considering murdering Duncan but says there are many arguments against it. Some of the lines in this scene make me wonder whose initial idea the murder was and whether Macbeth really wanted to kill Duncan. Macbeth says he is enjoying the feeling of being famous and powerful but Lady Macbeth’s persuasion quickly works on him: ‘I am settled and bend up each corporal agent to this terrible feat.’ In the second act when Macbeth decides he is against the idea, the more persuasive Lady Macbeth is towards him, the more Macbeth submits to her taunting – ‘When you durst do it, then you were a man; And, to be more than what you were, you would be so much more the man.’ By the end of the scene, Macbeth has been made to feel so inferior by Lady Macbeth that he has taken over the planning himself. Macbeth plans to blame the murder on the two guards in Duncan’s chamber: ‘Will it not be receiv’d, When we have mark’d with blood those sleepy two Of his own chamber, and us’d their very daggers, That they have done’t?’ Temporarily, Macbeth has lost his doubt and fear in the excitement of planning the murder. Perhaps the most famous act of mind power in this play, is the dagger Macbeth sees in Act 2, Scene 1. It is late at night in the castle and Macbeth meets Banquo and Banquo’s son Fleance. Banquo wants to talk about the witches’ prophecies to Macbeth. Banquo says that he has dreamt of the sisters and seems to be annoyed because they have ‘showed [Macbeth] some truth.’ Just as the three Weird Sisters predicted, Macbeth’s wishes and secret dreams of power have all come true. But along with these, so have his darkest fears. Throughout the play Macbeth continues to struggle against the images his mind conjures up against his own conscious will. Although technically, he has won the crown and been successful, he cannot enjoy himself because of the immense guilt he feels over how his mind has been poisoned by the Weird Sisters. The dagger scene is an extremely powerful example of mind power. Shakespeare uses metaphors, imagery and other dramatic cues to express Macbeth’s emotions and fear. Probably the most well known line in the play, upon seeing the dagger Macbeth says to himself, ‘Is this a dagger I see before me, The handle toward my hand?’ Macbeth realises that the dagger is only a vision created by his mind, in this question he is questioning his mind – asking himself whether what he is seeing is real or a figment of his imagination. He continues, ‘†¦art thou but A dagger of the mind,’ The way Shakespeare has written Macbeth’s speech make it seem so much more realistic. Because this play would first have been performed in a Jacobean theatre, there would have been no special effects in the theatre to emphasise the visions Macbeth’s mind were creating throughout the play. The actors would of course had to have been talented to pull off such acting without props, but the choice of words Shakespeare uses it what makes it so much more believable. Act 2 Scene 3 is the morning after the murder. In this scene Macbeth shows a variety of different emotions so it is difficult to tell what he is feeling about the murder. Also, what Macbeth says in this scene is quite ambiguous so it is quite hard to figure out what he means. When Macbeth says ‘Twas a rough night’ it could either mean that he is shocked by the night’s events or that he fears being found out. And when Macbeth says ‘Had I but died an hour before this chance I had lived a blessed time’ it is relatively easy to see that he feels guilty and regrets the murder. Another change in Macbeth’s speech is that his statements seem to be shorter and more formal. This suggests that he is on edge and is worried about being found out. In this scene, Macbeth also decides to start acting secretly, and does not communicate his plans with Lady Macbeth – ‘Be innocent of the knowledge †¦ ’till though applaud the deed’. Another major demonstration of mind power in the play is when Macbeth conjures up the image of Banquo’s ghost at the banquet in Act 3, Scene 4. Thinking about why Macbeth is so tense and anxious when he enters the room helps you to understand how his mind could have conjured up the terrible image of the ghost. Macbeth is obviously worried and guilt-ridden about Banquo’s murder, he says ‘I had else been perfect †¦ but now, I am bound in to saucy doubts and fears.’ Banquo was Macbeth’s best friend, and Macbeth had ordered him to be killed. He needed both Banquo and Fleance to be killed, but Fleance escaped. Macbeth excluding his wife from the plans is putting extra pressure on him, not to mention the relationship between the two. The banquet is the first function that Macbeth organises when he is appointed King. Therefore, he needs his guests to feel that he is a good King and is control of the banquet. When Macbeth sees the ghost and everything starts to go wrong, Macbeth is desperate to calm his important guests so that they do not think of him as not being a fitting King. The ghost in Act 3, scene 4 has an extremely powerful effect on Macbeth. He goes through different stages of acceptance, first cowering from it, then challenging it and finally, confronting it. ‘†¦the time has been, That, when the brains were out, the man would die, And there an end; but now they rise again, With twenty mortal murders on their crowns and push us from our stools†¦Ã¢â‚¬â„¢ Macbeth’s fear of the ghost is completely natural. He cannot understand how Banquo could have reappeared, especially after having just been informed of his death. He challenges the ghost, ‘Hence, horrible shadow! Unreal mockery, hence!’ Macbeth confronts the ghost, ‘Thy bones are marrowless, thy blood is cold; Thou hast no speculation in those eyes, Which thou dost glare with.’ The ghost disappears at these words and Macbeth seems to have won by confrontation. Macbeth returns to his guests. Macbeth doesn’t realise that no one else in the room can see the things he is imagining – he assumes that they saw the ghost and is surprised by their apparent failure to react to it, ‘†¦now I think you can behold such sights, ands keep the natural ruby of your cheeks, when mine is blanched with fear.’ The sleepwalking scene is one in which Shakespeare demonstrates mind power through actions very well. Lady Macbeth is subconsciously ridden with guilt over the deaths. When she sleepwalks we see her vigorously washing her hands to scrub Duncan’s blood from her hands and asking no one in particular ‘†¦who would have thought the old man to have had so much blood in him?’ Of course, Lady Macbeth does not still have Duncan’s blood on her hands; it is only her imagination making her think she needs to scrub her hands clean – ‘†¦all the perfumes of Arabia will not sweeten this little hand.’ Lady Macbeth is usually seen as dominant over Macbeth, she tries to seem stronger than Macbeth and hides her fear, guilt and shame as much as possible. The way that Lady Macbeth weakens when asleep creates a very powerful image of mind power. By scrubbing her hands over and over again we can guess that, rather than trying to rid her hands of blood, she is actually trying to rid her mind of the memories of the night of Duncan’s murder. The doctor who has been called to help Lady Macbeth says that the disease is ‘beyond his practice’ and that ‘more needs she the divine than the physician.’ meaning that she has more need for a priest than a doctor to rid her of her ‘evil disease’. Lady Macbeth leaves the room soon after muttering that ‘what’s done cannot be undone’ and repeating that she must go to bed. The doctor continues trying to analyse Lady Macbeth’s disease and confides in her gentlewoman, telling her that ‘Foul whisp’rings are abroad†¦ †¦infected minds To their deaf pillows will discharge their secrets.’ The doctor knows Lady Macbeth is hiding something – when he says ‘deaf pillows’ it suggests that people reveal their secrets to pillows because they are deaf and therefore cannot hear or repeat what they have done. Shakespeare’s use of language is just as important as the actions of the characters in showing how powerful their minds are. Macbeth seems weary when he is told of Lady Macbeth’s death – ‘She should have died hereafter: There would have been a time for such a word.’ It is a strange reaction – he is suddenly quiet, thoughtful and almost subdued. His drive and motivation disappear. Macbeth no longer sees any point in trying to hold on to the kingship, and does not understand why he ever wanted it. †¦[life] is a tale Told by an idiot, full of sound and fury, Signifying nothing’ Macbeth also thinks that his time is coming to an end and he will die soon. He says that his actions in the past have ‘lighted the fools way to dusty death’. It seems as though, no matter what happens from this point on in the play, Macbeth can no longer return to being the person he was before the Witches poisoned and taunted him with ambition. On the battlefield, Act 5, Scene 8 Macbeth dares each man on the battlefield to kill him in the face of his seemingly infallible prophecy. ‘Why should I play the Roman fool, and die On mine own sword? Whiles I see lives, the gashes Do better upon them.’ Roman generals in defeat would commit suicide to avoid the disgrace of capture, but, in this speech Macbeth says that while he can see living enemies, he will do his best to kill them. He continues taunting his enemies until Macduff kills him. Macbeth finds out that Macduff was from his mother’s womb untimely ripped’ which is what the Witches told Macbeth earlier in the play. At this point, Macbeth realises his life has come to an end and knows that he will not survive the fight with Macduff, however he is brave enough to fight on to the end. An interesting idea is to think about who was truly responsible for the tragedy in Macbeth, other than the witches. Macbeth himself had already thought about the kingship before being told by the Witches that he could achieve it and listens willingly to what the Witches tell him. However, when the plan has been hatched, Macbeth begins to back off until Lady Macbeth taunts him enough to convince him to take over the planning again, which he eventually does. Also, many of Macbeth’s speeches are filled with threats, evil and darkness. Mind power plays a large part in Macbeth’s character – having already thought of the kingship, he was really only waiting for confirmation from someone else before acting on his thoughts. Lady Macbeth also plays a major role in the tragedy. She becomes obsessed with the news she is sent by Macbeth, and immediately hatches a plan to achieve the goal. Her speeches, not dissimilar to Macbeth’s, are also full of darkness and double meanings. When Macbeth backs down and is not so sure about the plan, she taunts him until she finally persuades him to continue. It is also Lady Macbeth who takes the knives back down to the servants after the murder and tried to make everything normal again. Lady Macbeth is greatly affected by her mind, which we see particularly in the sleepwalking scene where she continually washes and rubs her hands in an attempt to scrub away what she believes to be Banquo’s blood. At the beginning of the play, Macbeth is a great man. After meeting the Weird Sisters he begins to make bad choices and gets everything wrong. The effect the three Witches have on Macbeth’s subconscious mind is astonishing – they make him see things, hear things and do things he doesn’t really want to do. Along with Lady Macbeth, the Witches’ taunting and riddles possess Macbeth and turn him into a power-obsessed, ambition-crazed ‘fiend’. However, Macbeth redeems himself at the end of his life and does not die as the villain of the play. Macbeth is a tragic hero – possessed by evil thoughts, but able to redeem himself by being brave enough to fight on to the end, even though he knows he cannot win back his sanity and/or peace of mind.

Fiero’s Greek Civiliation

I believe Fiero’s first humanist actually seems to start in early Greek civilization. † Greeks were called the humanists of the ancient world†. (Fiero 30) The Greeks were known for their art, literature, as well as their religious culture. Fiero also refers to the humanistic period in which the great historian Thucydides wrote â€Å"The History of The Polynesian War† (Fiero 37) which we see celebrates the Greek culture in Athens during the Polynesian War. I believe this was a great example of the humanist in the Greek culture by showing the true spirit of Greek patriotism and community of the Greek people.We also see Fiero use the Greeks use what was called â€Å"symmetry†, on their statues and paintings. They believed the true aspect of the human being should be shown in actual form. They also show such detail and the proportion was correct. They also show that the human body was a work of art. We also see Fiero use the example of the â€Å"Partheno n† as the Greeks style of architecture. On the actual â€Å"Parthenon† they had the four horsemen, water bearers, and the showing of the festival in which the tribute to Helen was shown. This shows me that the Greeks were all about depicting the greatness of their civilization.The Romans basically copied the art and most of everything else so I will go straight to the Renaissance. Fiero refers to the Renaissance as the revival of the Greco-Roman culture. (Fiero 183) This was revised by the Aquinas. They were looking at this as the† fulfillment of the human potential†. (Fiero 183) This is what I see in the art of the Renaissance is that the pieces had depth and perception and proportion and symmetry just like the Greco-Roman style. Fiero comments that new Renaissance humanists have religion in their lives but look at their intellectual curiosity has appealing and appeasing.According to Fiero the most Renaissance Humanists was â€Å"Francesco Petrarch†. (Fiero 184) I believe Francesco was a restorer of early Latin works. I believe he was trying to bring to life the old classics of the Greek world. I think he wanted to show that he was a great poet as Cicero. I think he was torn on whether he was a great believer or reasoner. I believe he chose to be a believer. In his sonnet I think he was torn on his love for his lover or his love of words. I see these as examples of Fiero’s humanism.

Enola Gay Display at the Smithsonian essays

Enola Gay Display at the Smithsonian essays America is in the midst of a culture war, and one of the latest skirmishes occurred between the houses and hedgerows surrounding the Smithsonian Museum. On one side were the members of a growing numbers of acedemians and cultural theorists who believe that American should not be honored as a country which has been a continued source of peace, and leadership in the world. History should be taught in a context, and that context needs to challenge individuals to think on a larger social scale of how our actions may adversely affect others. The opposing forces are those who have fought, and sometimes given the ultimate sacrifice to earn the countries place of responsibility as the leader of the free world, and only remaining superpower. These men and women look back at America's actions and remember the issues and limitations of the day. This group has a living memory of historical events, and is opposed to reinterpreting them in light of 21st century political cynicism, or academic enlighten. One group believes that if the military forces were downsized, and moneys spent on nation building and international charity projects, that the world would become a safer, more peaceful place. The other legion understands that some men and organizations in the world have set their desires on dominating others and loose no sleep at night over trampling civil and human rights in order to gain their objectives. This group understands that a strong military, as well as a will to use it, is an important building block which has created the peace and prosperity which America and the entire world now enjoy. This cultural war cannot always be identified in terms of liberal or conservative, because individuals from either group may launch salvos from either front. The war cannot be called one of educated vs. uneducated or public sector politicians vs. private sector business interests. ...

Henrietta Lacks and the HeLa Cells essays

Henrietta Lacks and the HeLa Cells essays When most people think of ethics, they most likely think of rules for determining what is right and wrong. Ethics provides guidelines for responsible conduct, conduct that identifies between acceptable and unacceptable behavior. Ethics change as our values as a society change. What might be considered ethical can be a matter of a person's perspective; with money and privilege sometimes allowing for exceptions. The Immortal Life of Henrietta Lacks, about an African-American woman from Virginia whose cancer cells, collected for research as she was being treated for the cervical cancer that took her life, raises many ethical questions and issues surrounding her cells, known as HeLa cells, and other human cells? It raises the critical issues concerning the rights of patients who have had tissue removed and used for discovery of new treatments and drugs. The ethical and moral issues surrounding the HeLa cells are complicated, because the cells have been used to develop the first polio vaccines, test chemotherapy drugs, and develop techniques for in vitro fertilization. The cells have become an endless advancement to scientists. However, the HeLa cells have also caused much pain, suffering, and confusion for the Lacks family. The Lacks's family, for example, saw no profits despite being asked to contribute blood for subsequent research about which they were not adequately informed. Henrietta Lacks was treated during a time when medical ethics were very different. It was also a time in history when African Americans were used for medical research. When her cells were taken from her body, it was common for doctors not to get consent from a patient when sending their tissue to a research lab. The doctors and researchers used the tissues as they wanted, with no concern for the patients' rights. "This was a time when "benevolent deception" was a common practice- doctors often withhe...